Jen Corbett’s posterous

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Superimposing New York

Loving the redundancy of these images, the careful realignment of an image taken not once, but twice.

Each shot of photographer Fred Lebain incorporates his previous image, drawing attention the the artificiality with the hints of a hand, a foot, the stand of an easel or a corner flap. You could call it postmodern crap. I call it brilliant, ironic and a little trippy. Just my kind of thing.

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